One really can’t account for good taste. This rarely broadcast thriller starred Sean Connery as he was first attemtping to escape 007 typecasting during the 1970’s. He is in fine form here as a Scandinavian Security Chief trying to negotiate with and outwit a team of terrorists. Excellent winter landscape photography adds to the film’s realism and there are some interesting plot surprises along the way. Kudos to 20th Century Fox for releasing this gem on DVD; I never thought I’d see this film again. The quality of the DVD is very good as well.
A bewigged Sean Connery is Zed, a savage “exterminator” commanded by the mysterious god Zardoz to eliminate Brutals, survivors of an unspecified worldwide catastrophe. Zed stows away inside Zardoz’s enormous idol (a flying stone head) and is taken to the pastoral land of the Eternals, a matriarchal, quasi-medieval society that has achieved psychic abilities as well as immortality. Zed finds as much hope as disgust with the Eternals; their advancements have also robbed them of physical passion, turning their existence into a living death. Zed becomes the Eternals’ unlikely messiah, but in order to save them–and himself–he must confront the truth behind Zardoz and his own identity inside the Tabernacle, the Eternals’ omnipresent master computer.
A box office failure, John Boorman’s Zardoz has developed a cult following among science fiction fans whose tastes run toward more cerebral fare, such as The Andromeda Strain and Phase IV. An entrancing if overly ambitious (by Boorman’s own admission) film, Zardoz offers pointed commentary on class structure and religion inside its complex plot and head-movie visuals; its healthy doses of sex and violence will involve viewers even if the story machinations escape them. Beautifully photographed near Boorman’s home in Ireland’s Wicklow Mountains by Geoffrey Unsworth (2001), its production design is courtesy of longtime Boorman associate Anthony Pratt, who creates a believable society within the film’s million-dollar budget. The letterboxed DVD presentation includes engaging commentary by Boorman, who discusses the special effects (all created in-camera) as well as working with a post-Bond Connery. –Paul Gaita
The film boasts the best of the Bond title songs (this one sung on a dreamy track by Nancy Sinatra), but the movie itself is one of the weaker ones of the Sean Connery phase of the 007 franchise. The story concerns an effort by the evil organization SPECTRE to start a world war, but the not-so-super villain behind the plot is the awfully civilized Donald Pleasence. The thin script is by Roald Dahl (shouldn’t we have expected a better Bond nemesis from the creator of mad genius Willy Wonka?), and direction is by British veteran Lewis Gilbert (Alfie). But the movie can’t hold a candle to Dr. No, From Russia with Love, or Goldfinger. –Tom Keogh
James Bond’s fourth adventure takes him to the Bahamas, where a NATO warplane with a nuclear payload has disappeared into the sea. Bond (Sean Connery) travels from a tiny health spa (where he tangles with a mechanized masseuse run amuck) to the casinos of Nassau and soon picks up the trail of SPECTRE’s number-two man, Emilio Largo (Adolfo Celi), and his beautiful mistress, Domino (Claudine Auger), whom Bond soon seduces to his side. Equipped with more gadgets than ever, courtesy of the resourceful “Q” (Desmond Llewelyn), agent 007 escapes an ambush with a personal-size jet pack and takes to the water as he searches for the undersea plane, battles Largo’s pet sharks, and finally leads the battle against Largo’s scuba-equipped henchmen in a spectacular underwater climax. This thrilling Bond entry became Connery’s most successful outing in the series and was remade in 1983 as Never Say Never Again, with Connery returning to the role after a 12-year hiatus. Tom Jones belts out the bold theme song to another classic Maurice Binder title sequence. –Sean Axmaker
This transfer really shines at times, with impressive detail on facial close-ups, mountain vistas, and clothing. There are some soft spots, but this is quite forgivable in a 45 year old film. Overall, the detail is very impressive, and tops that of the previous two films on Blu-Ray. I was surprised by how many little things I noticed when I just sat back and let it all soak in – wood grains, dandelions in a field, pebbles on the ground. Black levels are rock solid, color is very naturalistic and stable. Overall it’s just a tremendous job by the MGM studio and Lowry Digital to not overdo it and let the natural film elements stand on their own merits. So many times studios feel the need to over-enhance their older films to have them “compete” with newer releases, which usually just ends up introducing new video noise, or ends up washing out actual detail in the image (”Dark City” and its waxen faces springs to mind.) “Goldfinger,” by not going overboard, sets the bar very high for a catalog film restoration.
Special features also shine – several HD documentaries, a commentary with the cast and crew (including Connery), and some original period promotional pieces round out a really top-notch package of extras.
Directed with consummate skill by Terence Young, the second James Bond spy thriller is considered by many fans to be the best of them all. Certainly Sean Connery was never better as the dashing Agent 007, whose latest mission takes him to Istanbul to retrieve a top-secret Russian decoding machine. His efforts are thwarted when he gets romantically distracted by a sexy Russian double agent (Daniela Bianchi), and is tracked by a lovely assassin (Lotte Lenya) with switchblade shoes, and by a crazed killer (Robert Shaw), who clashes with Bond during the film’s dazzling climax aboard the Orient Express. From Russia with Love is classic James Bond, before the gadgets, pyrotechnics, and Roger Moore steered the movies away from the more realistic tone of the books by Ian Fleming. –Jeff Shannon
Released in 1962, this first James Bond movie remains one of the best, and serves as an entertaining reminder that the Bond series began (in keeping with Ian Fleming’s novels) with a surprising lack of gadgetry and big-budget fireworks. Sean Connery was just 32 years old when he won the role of Agent 007. In his first adventure James Bond is called to Jamaica where a colleague and secretary have been mysteriously killed. With an American CIA agent (Jack Lord, pre-Hawaii Five-O), they discover that the nefarious Dr. No (Joseph Wiseman) is scheming to blackmail the U.S. government with a device capable of deflecting and destroying U.S. rockets launched from Cape Canaveral. Of course, Bond takes time off from his exploits to enjoy the company of a few gorgeous women, including the bikini-clad Ursula Andress. She gloriously kicks off the long-standing tradition of Bond women who know how to please their favorite secret agent. A sexist anachronism? Maybe, but this is Bond at his purest, kicking off a series of movies that shows no sign of slowing down. –Jeff Shannon
Purportedly one of Walt Disney’s most personal pet projects, Darby O’Gill shows the effort and care put into it. Even now the special effects hold up shockingly well. Darby O’Gill is an estate caretaker, but in his advanced years he’s more fond of telling tall tales in the local pub about the wee folk than keeping the grounds. A new man (a very youthful Sean Connery) is sent in to take his place, and O’Gill doesn’t know what will become of himself and his daughter. He snags three spectacular opportunities, however, when he catches the king of the leprechauns. This film is whimsical without being silly, supernatural without being outlandish, and all and all a treat for the whole family. –Keith Simanton